{"id":6172,"date":"2026-05-05T14:27:23","date_gmt":"2026-05-05T14:27:23","guid":{"rendered":"https:\/\/www.hydroarts.org\/?p=6172"},"modified":"2026-06-09T10:32:26","modified_gmt":"2026-06-09T10:32:26","slug":"thaw","status":"publish","type":"post","link":"https:\/\/www.hydroarts.org\/fr\/thaw\/","title":{"rendered":"THAW"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1372.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-right:0px;--awb-padding-left:0px;--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><span lang=\"EN-US\">La premi\u00e8re mise en sc\u00e8ne du <\/span><span lang=\"EN-US\">spectacle a\u00e9rien THAW, de la compagnie Legs On The Wall, a eu lieu en 2022 et consistait en un bloc de glace sculpt\u00e9 de 2,7 tonnes suspendu \u00e0 20 m\u00e8tres au-dessus du port de Sydney. Au cours de cette repr\u00e9sentation, trois artistes se sont relay\u00e9s pendant plus de 10 heures au total, tandis que la glace fondait lentement sous leurs pieds. Leurs performances successives incarnaient diverses r\u00e9actions face \u00e0 la fonte de la glace : destruction, action, espoir. <\/span><\/p>\n<p><span lang=\"EN-US\">Dans THAW, la glace ne sert pas seulement de sc\u00e8ne spectaculaire ; elle est \u00e9galement trait\u00e9e comme un agent vivant dont la lente transformation occupe une place centrale dans la production. Le contact intime entre les acteurs humains et ce morceau \u00e9blouissant et ruisselant de la cryosph\u00e8re suscite un sentiment palpable d\u2019\u00e9merveillement chez le public. En observant l\u2019interaction entre un corps dansant et la sc\u00e8ne suspendue qui dispara\u00eet lentement, les questions d\u2019\u00e9chelle et de l\u2019importance de l\u2019impact humain deviennent \u00e9tonnamment tangibles. De plus, la nature esth\u00e9tiquement captivante de la production juxtapose une perte \u00e0 couper le souffle \u00e0 un danger imminent et suscite une multitude de r\u00e9flexions : sommes-nous en train de laisser filer notre avenir comme des danseurs sur une plan\u00e8te en perp\u00e9tuelle fonte ? Comment concilier le deuil et la lutte ? \u00c0 quel moment deviendra-t-il impossible de poursuivre la danse ?<\/span><\/p>\n<p><span lang=\"EN-US\">Le spectacle a d\u00e9j\u00e0 voyag\u00e9 dans six villes diff\u00e9rentes, et d\u2019autres sont \u00e0 venir.      \u2013 A. Street<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":7093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[163,144,162],"class_list":["post-6172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-convergence","tag-activism","tag-ice","tag-performance-installation"],"_links":{"self":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/comments?post=6172"}],"version-history":[{"count":6,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6172\/revisions"}],"predecessor-version":[{"id":7275,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6172\/revisions\/7275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media\/7093"}],"wp:attachment":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media?parent=6172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/categories?post=6172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/tags?post=6172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}