{"id":6177,"date":"2025-12-09T16:03:14","date_gmt":"2025-12-09T16:03:14","guid":{"rendered":"https:\/\/www.hydroarts.org\/?p=6177"},"modified":"2026-09-17T18:27:48","modified_gmt":"2026-09-17T18:27:48","slug":"nele-azevedo","status":"publish","type":"post","link":"https:\/\/www.hydroarts.org\/fr\/nele-azevedo\/","title":{"rendered":"N\u00e9le Azevedo"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:5%;--awb-padding-left:5%;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1372.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>Artiste de l'eau de renomm\u00e9e mondiale, N\u00e9le Azevado a r\u00e9volutionn\u00e9 la notion de monument en exposant ses \u0153uvres dans des espaces publics et en les int\u00e9grant \u00e0 des actions collectives. Elle repousse les limites de l'\u00e9chelle et de la forme en entreprenant une repr\u00e9sentation massive de l'\u00e9ph\u00e9m\u00e8re \u00e0 l'\u00e9chelle mondiale. Les contrastes saisissants inh\u00e9rents \u00e0 ses \u0153uvres \u2014 l'ind\u00e9l\u00e9bile \u00e0 peine perceptible, l'absence omnipr\u00e9sente \u2014 inspirent des r\u00e9flexions sans fin sur la perm\u00e9abilit\u00e9 de la philosophie et de la performance.<\/p>\n<p>Partnering with water in its liquid, solid, and vaporous forms, Azevado\u2019s creations engage with the aquatic in multi-sensory encounters: notably tactile, visual, and sonic. Staging its own dissolution, Azevado\u2019s anti-art is conceived to dramatically disappear, transcribing the process of loss in sonic form or with a trace of fading color. By showcasing the serial over the extraordinary, the collective over the singular, her art reminds us of the overlooked yet essential elements that connect us across time and place. The pervasion of water in Azevado\u2019s artistic practice could be said to reflect the aquatic properties of her influence; a veritable hydro-cycle of social cohesion that re-members the lost among the flow of the living.\u00a0 \u00a0 &#8211; A. Street<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":6182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[294,138,286],"tags":[164,315],"class_list":["post-6177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-installations","category-convergence","category-ice","tag-public-spaces","tag-sculpture"],"_links":{"self":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/comments?post=6177"}],"version-history":[{"count":7,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177\/revisions"}],"predecessor-version":[{"id":7682,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177\/revisions\/7682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media\/6182"}],"wp:attachment":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media?parent=6177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/categories?post=6177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/tags?post=6177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}