{"id":6177,"date":"2025-12-09T16:03:14","date_gmt":"2025-12-09T16:03:14","guid":{"rendered":"https:\/\/www.hydroarts.org\/?p=6177"},"modified":"2026-02-01T21:53:19","modified_gmt":"2026-02-01T21:53:19","slug":"nele-azevedo","status":"publish","type":"post","link":"https:\/\/www.hydroarts.org\/fr\/nele-azevedo\/","title":{"rendered":"N\u00e9le Azevedo"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:5%;--awb-padding-left:5%;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1372.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>Artiste de l'eau de renomm\u00e9e mondiale, N\u00e9le Azevado a r\u00e9volutionn\u00e9 la notion de monument en exposant ses \u0153uvres dans des espaces publics et en les int\u00e9grant \u00e0 des actions collectives. Elle repousse les limites de l'\u00e9chelle et de la forme en entreprenant une repr\u00e9sentation massive de l'\u00e9ph\u00e9m\u00e8re \u00e0 l'\u00e9chelle mondiale. Les contrastes saisissants inh\u00e9rents \u00e0 ses \u0153uvres \u2014 l'ind\u00e9l\u00e9bile \u00e0 peine perceptible, l'absence omnipr\u00e9sente \u2014 inspirent des r\u00e9flexions sans fin sur la perm\u00e9abilit\u00e9 de la philosophie et de la performance.<\/p>\n<p>S'associant \u00e0 l'eau sous ses formes liquide, solide et gazeuse, les cr\u00e9ations d'Azevado interagissent avec le milieu aquatique lors de rencontres multisensorielles, notamment tactiles, visuelles et sonores. Mettant en sc\u00e8ne sa propre dissolution, l'anti-art d'Azevado est con\u00e7u pour dispara\u00eetre de mani\u00e8re spectaculaire, transposant le processus de perte sous forme sonore ou par une trace de couleur qui s'estompe. En privil\u00e9giant le s\u00e9riel plut\u00f4t que l'extraordinaire, le collectif plut\u00f4t que le singulier, son art nous rappelle les \u00e9l\u00e9ments n\u00e9glig\u00e9s mais essentiels qui nous relient \u00e0 travers le temps et l'espace. L'omnipr\u00e9sence de l'eau dans la pratique artistique d'Azevado pourrait refl\u00e9ter les propri\u00e9t\u00e9s aquatiques de son influence ; un v\u00e9ritable cycle hydrologique de coh\u00e9sion sociale qui rassemble les perdus dans le flux de la vie.  \u2013 A. Street<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":6182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[144,164],"class_list":["post-6177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-convergence","tag-ice","tag-public-spaces"],"_links":{"self":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/comments?post=6177"}],"version-history":[{"count":6,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177\/revisions"}],"predecessor-version":[{"id":6593,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/posts\/6177\/revisions\/6593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media\/6182"}],"wp:attachment":[{"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/media?parent=6177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/categories?post=6177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hydroarts.org\/fr\/wp-json\/wp\/v2\/tags?post=6177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}